BAFTA Award Winner: Anthony Asquith Award for Film Music. BAFTA Nominee: Best Production Design/Art Direction, Best Sound.
Golden Globe Nominee: Best Original Score.
Saturn Award Winner: Best Director, Best Science Fiction Film, Best Special Effects. Saturn Award Nominee: Best Costumes, Best Music, Best Supporting Actor, Best Writing.
Directed By | | Irvin Kershner |
Produced By | | Gary Kurtz |
Screenplay By | | Leigh Brackett Lawrence Kasdan |
Story By | | George Lucas |
Executive Producer | | George Lucas |
Production Designer | | Norman Reynolds |
Director Of Photography | | Peter Suschitzky B.S.C. |
Edited By | | Paul Hirsch A.C.E. |
Special Visual Effects | | Brian Johnson Richard Edlund |
Music By | | John Williams |
Performed By | | The London Symphony Orchestra |
Original Music Copyright 1980 Fox Fanfare Music Inc. / Bantha Music
|
Associate Producers | | Robert Watts James Bloom |
Design Consultant And Conceptual Artist | | Ralph McQuarrie |
Art Directors | | Leslie Dilley Harry Lange Alan Tomkins |
Set Decorator | | Michael Ford |
Construction Manager | | Bill Welch |
Assistant Art Directors | | Michael Lamont Fred Hole |
Sketch Artist | | Ivor Beddoes |
Draftsmen | | Ted Ambrose Michael Boone Reg Bream Steve Cooper Richard Dawking |
Modellers | | Fred Evans Allan Moss Jan Stevens |
Chief Buyer | | Edward Rodrigo |
Construction Storeman | | Dave Middleton |
Operating Cameramen | | Kelvin Pike David Garfath |
Assistant Cameramen | | Maurice Arnold Chris Tanner |
Second Assistant Cameramen | | Peter Robinson Madelyn Most |
Dolly Grips | | Dennis Lewis Brian Osborn |
Matte Photography Consultant | | Stanley Sayer, B.S.C. |
Gaffer | | Laurie Shane |
Rigging Gaffer | | John Clark |
Lighting Equipment And Crew From Lee Electric
|
Make-Up And Special Creature Design | | Stuart Freeborn |
Chief Make-Up Artist | | Graham Freeborn |
Make-Up Artists | | Kay Freeborn Nick Maley |
Chief Hairdresser | | Barbara Ritchie |
Yoda Fabrication | | Wendy Midener |
Costume Designer | | John Mollo |
Wardrobe Supervisor | | Tiny Nicholls |
Wardrobe Mistress | | Eileen Sullivan |
Property Master | | Frank Bruton |
Property Supervisor | | Charles Torbett |
Property Dressing Supervisor | | Joe Dipple |
Head Carpenter | | George Gunning |
Head Plasterer | | Bert Rodwell |
Head Rigger | | Red Lawrence |
Sound Design And Supervising Sound Effects Editor | | Ben Burtt |
Sound Editors | | Richard Burrow Teresa Eckton Bonnie Koehler |
Production Sound | | Peter Sutton |
Sound Boom Operator | | Don Wortham |
Production Maintenance | | Ron Butcher |
Re-Recording | | Bill Varney Steve Maslow Gregg Landaker |
Music Recording | | Eric Tomlinson |
Orchestrations | | Herbert W. Spencer |
Supervising Music Editor | | Kenneth Wannberg |
Assistant Film Editors | | Duwayne Dunham Phil Sanderson Barbara Ellis Steve Starkey Paul Tomlinson |
Dialogue Editors | | Curt Schulkey Leslie Shatz Joanne D'antonio |
Optical Coordinator | | Roberta Friedman |
Assistant Sound Editors | | John Benson Joanne Cappuccilli Ken Fischer Craig Jaeger Nancy Jencks Laurel Ladevich |
Foley Editors | | Robert Rutledge Scott Hecker |
Foley Assistants | | Edward M. Steidele John Roesh |
Sound Effects Recording | | Randy Thom |
Recording Technicians | | Gary Summers Howie Kevin O'connell |
Production Supervisor | | Bruce Sharman |
Assistant Production Manager | | Patricia Carr |
Production Coordinator | | Miki Herman |
First Assistant Director | | David Tomblin |
Second Assistant Directors | | Steve Lanning Roy Button |
Location Manager | | Philip Kohler |
Continuity | | Kay Rawlings Pamela Mann |
Casting | | Irene Lamb Terry Liebling Bob Edmiston |
Assistant To Producer | | Bunny Alsup |
Assistant To Director | | Debbie Shaw |
Assistant To Executive Producer | | Jane Bay |
Production Assistants | | Barbara Harley Nick Laws Charles Wessler |
Stunt Coordinator | | Peter Diamond |
Stunt Doubles | | Bob Anderson Colin Skeaping |
Production Accountant | | Ron Phipps |
Assistant Accountant | | Michael Larkins |
Set Cost-Controller | | Ken Gordon |
Location Accountant | | Ron Cook |
Still Photographer | | George Whitear |
Unit Publicist | | Alan Arnold |
Assistant Publicist | | Kirsten Wing |
Studio Second Unit
|
Directors | | Harley Cokliss John Barry |
Director Of Photography | | Chris Menges |
Assistant Director | | Dominic Fulford |
Second Assistant Director | | Andrew Montgomery |
Location Second Unit
|
Director | | Peter Macdonald |
Director Of Photography | | Geoff Glover |
Operating Cameraman | | Bob Smith |
Assistant Cameramen | | John Campbell Mike Brewster |
Second Assistant Cameramen | | John Keen Greg Dupre |
Dolly Grip | | Frank Batt |
Production Manager | | Svein Johansen |
Assistant Directors | | Bill Westley Ola Solum |
Production And Mechanical Effects Unit
|
Mechanical Effects Supervision | | Nick Allder |
Location Unit Supervisor | | Allan Bryce |
Senior Effects Technician | | Neil Swan Dave Watkins |
Robot Fabrication And Supervision | | Andrew Kelly Ron Hone |
Effects Technicians | | Phil Knowles Barry Whitrod Martin Gant Brian Eke Guy Hudson Dennis Lowe |
Effects Engineering | | Roger Nicholls Steve Lloyd |
Electrical Engineer | | John Hatt |
Electronics Consultant | | Rob Dickinson |
Model Construction | | John Pakenham |
Effects Assistants | | Alan Poole Digby Milner Robert McLaren |
Effects Secretary | | Gill Case |
Minature And Optical Effects Unit
|
Effects DirectorOf Photography | | Dennis Muren |
Effects Cameramen | | Ken Ralston Jim Veilleux |
Camera Operators | | Don Dow Bill Neil |
Assistant Cameramen | | Selwyn Eddy Jody Westheimer Rick Fighter Clint Palmer Michael McAlister Paul Huston Richard Fish Chris Anderson |
Optical Photography Supervisor | | Bruce Nicholson |
Optical Printer Operators | | David Berry Kenneth Smith Donald Clark |
Optical Line-Up | | Warren Franklin Mark Vargo Peter Amundson Loring Doyle Thomas Rosseter Tam Pillsbury James Lim |
Optical Coordinator | | Laurie Vermont |
Laboratory Technicians | | Tim Geideman Duncan Myers Ed Jones |
Art Director-Visual Effects | | Joe Johnston |
Assistant Art Director | | Nilo Rodis-Jamero |
Stop Motion Animation | | Jon Berg Phil Tippett |
Stop Motion Technicians | | Tom St. Amand Doug Beswick |
Matte Painting Supervisor | | Harrison Ellenshaw |
Matte Artists | | Ralph McQuarrie Michael Pangrazio |
Matte Photography | | Neil Krepela |
Additional Matte Photography | | Michael Lawler |
Matte Photography Assistants | | Craig Barron Robert Elswit |
Chief Model Maker | | Lorne Peterson |
Modelshop Foreman | | Steve Gawley |
Model Makers | | Paul Huston Tom Rudduck Michael Fulmer Samuel Zolltheis Charles Bailey Ease Owyeung Scott Marshall Marc Thorpe Wesley Seeds Dave Carson Rob Gemmel Pat McClung |
Animation And Rotoscope Supervisor | | Peter Kuran |
Animators | | Samuel Comstock Garry Waller John Van Vliet Rick Taylor Kim Knowlton Chris Casady Nina Saxon Diana Wilson |
Visual Effects Editorial Supervisor | | Conrad Buff |
Effects Editor | | Michael Kelly |
Assistant Effects Editors | | Arthur Repola Howard Stein |
Apprentice Editor | | Jon Thaler |
Production Administrator | | Dick Gallegly |
Production Secretary | | Patricia Blau |
Production Associate | | Thomas Brown |
Production Accountant | | Ray Scalice |
Assistant Accountant | | Glenn Phillips Pam Traas Laura Crockett |
Production Assistant | | Jenny Oznowicz |
Transportation | | Robert Martin |
Still Photographer | | Terry Chostner |
Lab Assistant | | Roberto McGrath |
Electronics Systems Designer | | Jerry Jeffress |
Systems Programming | | Kris Brown |
Electronic Engineers | | Lhary Meyer Mike Mackenzie Gary Leo |
Special Project Coordinator | | Stuart Ziff |
Equipment Engineering Supervisor | | Gene Whiteman |
Design Engineer | | Mike Bolles |
Machinists | | Udo Pampel Greg Beaumonte |
Draftsman | | Ed Tennler |
Special Projects | | Gary Platek |
Supervising Stage Technician | | T.E. Moehnke |
Stage Technicians | | William Beck Bobby Finley Leo Loverro Edward Hirsh Dick Dova Ed Breed |
Miniature Pyrotechnics | | Joseph Viskocil Dave Pier Thaine Morris |
Optical Printer Component Manufacturer | | George Randle Co. |
Camera And Movement Design | | Jim Beaumonte |
Special Optics Designer | | David Grafton |
Special Optics Fabrication | | J.L. Wood Optical Systems |
Optical Printer Component Engineering | | Fries Engineering |
High Speed Camera Movements | | Mitchell Camera Corp. |
Ultra High Speed Camera | | Bruce Hill Productions |
| | |
Color Timer | | Ed Lemke |
Negative Cutting | | Robert Hart Darrell Hixson |
| | |
Dolby Consultant | | Don Digirolamo |
Additional Optical Effects | | Van Der Veer Photo Effects Modern Film Effects Ray Mercer & Company Westheimer Company Lookout Mountain Films |
Producer | | Rick McCallum |
Editor | | T.M. Christopher |
Sound Designer | | Ben Burtt |
Re-Recording Mixer | | Gary Summers |
First Assistant Editor | | Samuel Hinckley |
Assistant Editor | | Robert Marty |
Assistant Avid Editors | | Mike Jackson Robin Lee |
Sound Editor | | Teresa Eckton |
Assistant Sound Editor | | Lisa Storer |
Re-Recordist | | Ronald G. Roumas |
Digital Mix Technician | | Gary A. Rizzo |
Archivist | | Tim Fox |
Optical Supervisors | | Phillip Feiner Chris Bushman |
Film Restoration Supervisor | | Pete Comandini |
Color Timer | | Robert J. Raring |
Negative Continuity | | Ray Sabo |
Negative Cutter | | Bob Hart |
Special Edition Digital Remastering Provided By Skywalker Sound A Lucas Digital Ltd. Company |
Film Restoration Consultant | | Leon Briggs |
Optical Restoration | | Pacific Title |
Film Restoration By | | Ycm Laboratories |
Industrial Light And Magic
|
Visual Effects Supervisor | | Dave Carson |
Visual Effects Producer | | Tom Kennedy |
Computer Graphics Supervisor | | Tom Hutchinson |
Visual Effects Art Director | | George Hull |
Visual Effects Editor | | Michael McGovern |
Color Timing Supervisor | | Bruce Vecchitto |
Visual Effects Coordinator | | Lisa Todd |
Digital Effects Artists | | Don Butler Michael Conte Howard Gersh Marshall Krasser Tia Marshall Stuart Maschwitz Julie Neary Ken Nielsen Eddie Pasquarello Ricardo Ramos Tom Rosseter Lawrence Tan Paul Theren Hans Uhlig Li-Hsein Wei Ron Woodall |
Digital Matte Artists | | Ronn Brown Eric Chauvin Brian Flora William Mather |
3d Matchmove Artist | | James Hagedorn |
Digital Paint & Roto Artists | | Lisa Drostova Heidi Zabit |
Chief Creature Maker | | Howie Weed |
Model & Creature Makers | | Carol Bauman Don Bies Giovanni Donovan Wendy Morton Anne Polland Mark Siegel Steven Walton |
Sabre Group Supervisor | | Daniel McNamara |
Sabre Artists | | Rita Zimmerman Chad Taylor Mary McCulloch Grant Guenin Caitlin Content |
Software Research And Development | | David Benson Jim Hourihan Zoran Kacic-Alesic Florian Kainz Jeff Yost |
Digital Scanning Supervisor | | Joshua Pines |
Digital Scanning Operators | | Randall Bean Michael Ellis Earl Beyer |
Negative Supervisor | | Doug Jones |
Negative Line-Up | | Andrea Biklian Tim Geideman |
Projectionist | | Tim Greenwood |
Digital Plate Restoration | | Melissa Monterrosa Mike Van Eps Wendy Hendrickson |
Assistant Visual Effects Art Director | | Alex Laurant |
Assistant Visual Effects Editor | | John Bartle |
Video Editor | | Angela Leaper |
Animatic Artist | | Jonathan Rothbart |
Digital Effects Technical Assistants | | Okan Ataman Peter Chesloff Joshua Levine Dawn Matheson Daniel Shumaker |
Digital Effects Resource Assistant | | Daniel Brimer |
Visual Effects Production Staff | | Julie Creighton Joshua Marks |
Video Assistants | | Dawn Martin Wendy Bell |
Production Engineering | | Ken Beyer Ken Corvino Gary Meyer |
Aerial Camera System By Wesscam Camera Systems (Europe) |
Aerial Cameraman | | Ron Goodman |
Assistant | | Margaret Herron |
Helicopter Supplied By Dollar Air Services Limited |
Pilot | | Mark Wolfe |
Cloud Plates Photographed With Astrovision(c) By Continental Camera Systems Inc. |
Snow Vehicles Supplied By Aktiv Fischer |
R2 Bodies Fabricated By White Horse Toy Company |
Special Assistance From Giltspur Engineering And Compair |
Photographed On The Hardengerjekulan Glacier, Finse, Norway And At Emi - Elstree Studios, Borehamwood, England |
Music Recorded At Anvil Studios, Denham, England |
Re-Recording At Samuel Goldwyn Studios, Los Angeles, California |
Special Visual Effects Produced At Industrial Light And Magic, Marin County, California |